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The Pulling

The Pulling 1

by Adele Dumont
Paperback
Publication Date: 30/01/2024
4/5 Rating 1 Review

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When I've been overtaken, I have stood and watched the water in my porridge simmer away into the air, and then the oats turn black and crackle with dryness, and my ears fill with the smoke alarm's shriek.

When Adele Dumont is diagnosed with trichotillomania - compulsive hair-pulling - it makes sense of much of her life to date. The seemingly harmless quirk of her late teens, which rapidly developed into almost uncontrollable urges and then into trance-like episodes, is a hallmark of the disease, as is the secrecy with which she guarded her condition from her family, friends, and the world at large.

The diagnosis also opens up a rich line of inquiry. Where might the origins of this condition be found? How can we distinguish between a nervous habit and a compulsion? And how do we balance the relief of being 'seen' by others with our experience of shame?

Reminiscent of the writing of Leslie Jamison and Fiona Wright, The Pulling is a fascinating exploration of the inner workings of a mind. In perfectly judged prose, both probing and affecting, Dumont illuminates how easily ritual can slide into obsession, and how close beneath the surface horror and darkness can lie.

ISBN:
9781922585912
9781922585912
Category:
Literary essays
Format:
Paperback
Publication Date:
30-01-2024
Language:
English
Publisher:
Scribe Publications
Country of origin:
Australia
Pages:
288
Dimensions (mm):
210x135x20.66mm
Weight:
0.31kg

'The Pulling is an intimate and intricately crafted book, a meditation on privacy and the intensity and complexity of interiority, and the ways in which we might maintain this against and within - without losing - the world. It resists the easy narratives and language of illness, and all that these reduce, and is interested instead in the fascination of compulsion, what it offers and might mean. Dumont's writing is both vulnerable and fierce, critical and beautifully detailed, and generous above all else.'
Fiona Wright, author of Small Acts of Disappearance

'As a lifelong trichotillomaniac, who has never seen my furtive self reflected back in literature, I devoured this astonishing book in one greedy sitting. But even if you have never been a hair-puller or plucker, or skin-picker, nail-biter, or pimple-popper, yet know the pleasure and concomitant shame of self-soothing, by whatever means, you will revel in the humanity, compassion, and insight of Dumont's stunning prose. The Pulling is a memoir that tears away at the quotidian ignominy and pain of "bad" habits, peeling back layers of individual, family, and cultural dis-grace and dis-ease. Rich, remarkable, uncomfortable, and compelling. I loved this book in equal measure to how much I have loathed myself for the corporal crutches the child me learned to steady herself upon in a shaky world, not of my making.'
Clare Wright, author of The Forgotten Rebels of Eureka

'Adele Dumont's The Pulling is a compulsively readable, frank, and disquieting memoir. Dumont wields Ernaux-like precision to analyse and contextualise the obsession that has made and unmade her life. The writing is candid, fearless, and profound, and it takes on questions most of us lack the backbone to face. Dumont asks what is more real, our lived or unlived lives? Are we ourselves even in our deepest compulsions? The Pulling calls to mind the unsettling clarity of Yiyun Li and Linn Ullmann. I could not put this book down.'
Ellena Savage, author of Blueberries

Adele Dumont

Adele Dumont was born in France and moved to Australia before her first birthday. After studying Australian Literature at the University of Sydney, she spent two years teaching English at the Curtin immigration detention centre. This book is based on her own experiences, as recorded in her personal journals. Adele lives in Sydney's inner west.

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“Pulling out just one shaft of hair at a time always felt so insignificant, something imperceptible. Who could notice one strand missing from a whole, overly thick head of hair?”

I’ve never known anyone who compulsively pulls their hair out. I mean, I probably have because an estimated 2% of the population have trichotillomania, but shame keeps it hidden in plain sight.

Hair pulling is not even something that makes a whole lot of sense, even to those who live with it.

“I am struggling to translate all this to you; when I am not in the midst of it I myself struggle to fathom it. Such is the strangeness of all this that - once I have returned to the world - I find it difficult to contemplate or believe in its subsuming power.”

Logic would say that pulling your hair out couldn’t possibly help anything. For people with trichotillomania, though, it does (in the moment at least) and that makes it even more confounding.

It’s such a well kept secret that most people haven’t heard of it. Even amongst those who compulsively pull their hair, there’s isolation. Yet, despite this, there are commonalities.

We all like to think we’re unique but one of the fascinating things about trichotillomania is that it looks similar across sufferers, including those who don’t yet know there’s a word for it. Who knew that there’s a hierarchy of hair, that it’s not just about pulling hair but the right hair? Why do people who pull do so in a predictable pattern? When hardly anyone is talking about this, how are there so many common denominators?

I’m not the biggest fan of the medical model when it’s applied to mental health. It can result us taking on a diagnosis as our identity and with the amount of time people can spend pulling, it’s not hard to see how this happens but it makes me uncomfortable.

This is a brave book. Because, as I’ve mentioned, people simply don’t talk about this. Because there’s so much shame attached to it.

This is a painful book. It hurts to witness, even from a distance, the struggle Adele experiences every day.

This is an important book. Brené Brown says it better than I ever could: “If you put shame in a petri dish, it needs three ingredients to grow exponentially: secrecy, silence, and judgement. If you put the same amount of shame in the petri dish and douse it with empathy, it can’t survive.”

I love memoirs. There’s something special about being invited into someone’s life and having them share some of their innermost thoughts. Adele Dumont, in sharing her experience, is shining a light on trichotillomania. Shame and secrets don’t do so well in the light.

Content warnings are included on my blog.

Thank you so much to Scribe Publications for the opportunity to read this book.

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